1. Dark Snow
2. Still A Stranger
3. Aurelia
4. Hidden Knives
5. Get Hurt
6. Above The Bridge
7. So Beneath You
8. Snow Cats
9. Dumb Kids
10. Pink Eyes
11. Feed From The Floor
12. White Offerings
13. She Speaks The Language
14. The Wind That Carries Me
away
This self titled album is also
known as The Blood Album. Probably
because someone pointed out that they already have an album called AFI, albeit a compilation. I fucking
hate it when bands do that. How hard is it to call your new EP or album
something different to avoid confusion and fans' computers trying to merge
albums together into the same folder? Fuck's sake! (Other guilty bands include Killswitch Engage, Killing Joke, Queensryche,
Ratt and Suicide Silence). OK, rant over.
This is AFI's first album since 2013's excellent Burials. I've been a fan since 2002 when I first heard their The Art Of Drowning album, and was
hooked by the insanely catchy single Days
Of The Phoenix. Soon after, they released Sing The Sorrow which saw the band rocket into the mainstream,
and oozed catchy singles including Girl's
Not Grey which received heavy rotation on pretty much every Rock friendly
television channel imaginable. Since then, they've continued to maintain
significant global success with a series of solid albums, but still haven't
reached the heights of Sing The Sorrow.
I think that album was in the right place at the right time.
On first listen, The Blood Album didn't really hit that
'wow factor' for me until track four (Hidden
Knives), which was an instant track full of hooks and punk guitar riffs,
spliced nicely with Gothic clean tones. Other highlights include Above The Bridge which reminds me of The Cure with its prominent bass and
nicely weaved in keyboards. So Beneath
You is a brilliant track that harks back to AFI's earlier more punk sound, dripping with energy and attitude. Their single Snow Cats sounds like it
could have been lifted from the Sing The
Sorrow album. Feed From The Floor shows AFI at their most Goth, with
guitars that would be at home on a Mission
record.
The Blood Album is a bit of a grower. It took me a few listens to
appreciate it in its entirety. It draws on influences from the band's entire
back catalogue, and on first listen it could be dismissed as an attempt to try
and please fans of all eras of AFI
at the expense of a more focussed direction. However, I found myself enjoying
the songs that didn't grab me first time round, and the album has started to
make more sense. Fans who gave up on the band after The Art Of Drowning probably won't be won back, but fans who stayed
along for the ride won't be disappointed with The Blood Album provided they stick with it.
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