01, Endure And Survive
02. Escape Velocity
03. Blood
04. Eating Lies
05. Destroyer
06. Dawn Of The Dead Son
07. Remember
08. Fight Back
09. The World Is Turning The Wrong Way
I must confess that I've lost touch with Blaze Bayley's musical output over the
years, aside from that God-awful Crazy Christmas song he released last year. I used
to like Wolfsbane, and remember
being really excited when he was announced as the new singer in Iron Maiden, even though I couldn't
imagine his voice working with Maiden
at all. Unlike many Metal fans out there, I actually enjoyed the two Iron Maiden albums he sang on. Both The X-Factor and Virtual XI had some great songs on them.
Was that era of Iron Maiden as good as what went
before? In my humble opinion, no. That applies to both Maiden and Blaze
himself, as I think his voice works better with the rowdy Punk tinged Hard Rock
of Wolfsbane, than it ever did in the
more soaring, borderline operatic world of Iron
Maiden.
Aside from the last Wolfsbane album, the only Blaze album I bought since he left Iron Maiden was his debut Silicon Messiah. Although it's easily on a par with The X-Factor and Virtual XI, I listened to it a few times and rarely went back to it. I heard a few bits from subsequent albums, but nothing inspired me to investigate them further. I decided to check out this new album for old times' sake, and to see if Blaze had made anything to rekindle my interest.
Aside from the last Wolfsbane album, the only Blaze album I bought since he left Iron Maiden was his debut Silicon Messiah. Although it's easily on a par with The X-Factor and Virtual XI, I listened to it a few times and rarely went back to it. I heard a few bits from subsequent albums, but nothing inspired me to investigate them further. I decided to check out this new album for old times' sake, and to see if Blaze had made anything to rekindle my interest.
Endure and Survive
(Infinite Entanglement Part II) sounds pretty much as I expected. It's as
though Blaze hired a bunch of Metal
musicians, probably all from a struggling unsigned band, and said "Hey
guys, I'll pay you to write me some instrumental songs and make them sound as much like Iron Maiden as possible, without
obviously ripping off any specific track", then wrote some lyrics and
vocal lines in the same style as he did when he was in Maiden, and Voila! Another Blaze
Bayley album is born!
In fairness, this isn't a terrible album. It's actually quite
good in places, albeit predictable. Dawn
of the Dead Son is probably the best song of the bunch, closely followed by
the album's anomaly that is Remember,
which has a Folk vibe reminiscent of Jethro
Tull. I listened to the whole album in its entirety twice, but that was enough for me.
Here's where I believe the problem lies. Wolfsbane were popular in the UK, but
they were never huge. It's only when Blaze
joined Iron Maiden that he became a household
name in the world of Metal. Now for Blaze
to continue to make a living from music in these difficult times, he needs to
appeal to the Iron Maiden fans who
loved the albums he made with them. Wolfsbane
clearly doesn't pay the bills. A solo album in more of a Motorhead, or early Almighty
direction would suit his voice down to the ground, but it
wouldn't appeal to the majority of his 'post-Maiden' fan base, and again would fail to pay the bills. To keep
himself as a financially viable artist, he needs to continue to appeal to the Maiden fans and this means that his
solo albums will always sound this way.
There's a lot of love out there for Blaze, mainly because he's seen as an underdog who relentlessly
perseveres through every raw deal life throws at him. I get that. However, I
couldn't give a flying fuck about pretentious epic stories dragged over three
concept albums. That kind of thing is best left to people like ex-Queensryche main man Geoff Tate.
Personally, I would like to hear him play Metal that's
musically less like Iron Maiden, and
more Rock n' Roll with the fun, yet badass biker attitude that was captured on Wolfsbane's classic live album Massive Noise Injection. I'm not going
to hold my breath though.
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